Ten Days in Harlem, 1960, Colorized
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Archival Giclée Art Print
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Collectible museum-grade fine art print, hand-printed in England and individually finished with a monogram emboss. Each sale directly supports the artisan. Listed dimensions include a white border for easy framing.
ABOUT THIS PHOTOGRAPH
A collaboration with the Travels Through Time podcast and Guardian Faber to celebrate the release of Simon Hall's Ten Days in Harlem: Fidel Castro and the Making of the 1960s.
Fidel Castro - champion of the oppressed, scourge of colonialism, and leftist revolutionary - arrives for the opening of the United Nations General Assembly. His visit to the UN represents a golden opportunity to make his mark on the world stage. Fidel's shock arrival in Harlem is met with a rapturous reception from the local African American community. He holds court from the iconic Hotel Theresa as a succession of world leaders, black freedom fighters, and counter-cultural luminaries - everyone from Nikita Khrushchev to Gamal Abdel Nasser, Malcolm X to Allen Ginsberg - come calling. Then, during his landmark address to the UN General Assembly - one of the longest speeches in the organisation's history - he promotes the politics of anti-imperialism with a fervour, and an audacity, that makes him an icon of the 1960s. In this unforgettable slice of modern history, Simon Hall reveals how these ten days were a foundational moment in the trajectory of the Cold War, a turning point in the history of anti-colonial struggle, and a launching pad for the social, cultural, and political tumult of the decade that followed.
Taken: September 22nd, 1960
Location: New York, United States
Photographer: Warren K. Leffler
Remaster & Colorization: Jordan J. Lloyd
Original Format: Photographic Print
Commercial Use: ⇲ License this Image
|AO||118.9 x 84.1||46.8 x 33.1|
|A2||59.4 x 42.0||23.4 x 16.5|
|A3||42.0 x 29.7||16.5 x 11.7|
|A4||29.7 x 21.0||
11.7 x 8.3
The Past as It Was
We honour the past by restoring historical images to the same quality as the day they were created. To serve the artist’s intent, we remaster, reconstruct, sharpen, colour-correct, colorize and enlarge their image with total devotion to historical authenticity. That makes your print a window to the past as it was. See for yourself.
Beyond the Frame
A Certificate of Authenticity marks every print as an original and genuine ColorGraph™.
We abide by the ⇲ Colorizer's Code of Conduct, a framework for new interpretations of original historical works.
We are proud to be an independent UK business sharing the stories hiding in images from the past.