Mount Rushmore, 1932, Colorized
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Archival Giclée Art Print
Certificate of Authenticity
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Collectible museum-grade fine art print, hand-printed in England and individually finished with a monogram emboss. Each sale directly supports the artisan. Listed dimensions include a white border for easy framing.
ABOUT THIS PHOTOGRAPH
This view shows the Mount Rushmore National Memorial under construction in the 1930s. Finding their balance on the bridge of George Washington’s nose is Gutzon Borglum, the chief sculptor, along with an unknown assistant. Meanwhile the face of the first president gazes out over the South Dakota landscape. By the time that this photograph was taken in May 1932, almost a decade had passed since the idea of a vast memorial had first struck a man called Doane Robinson. A lawyer turned historian, in 1923 Robinson had decided that an awe-inspiring sculpture in the nearby Black Hills would help to raise South Dakota’s profile. He first approached a sculptor called Lorado Taft who had previously completed a huge statue called The Eternal Indian in Illinois. Taft refused the commission and Robinson later approached Gutzon Borglum who proved far more enthusiastic. Over the years that followed the project took shape. The faces of four presidents – Washington, Jefferson, Roosevelt and Lincoln – were to be cut into the granite pillars of a mountain that had long been known by the Lakota people as the ‘Six Grandfathers’. This place would soon gain a new name: Mount Rushmore. – Peter Moore
Taken: May 31st, 1932
Location: Black Hills near Keystone, South Dakota, United States
Remaster & Colorization: Jordan J. Lloyd
Original Format: Original negative
Commercial Use: ⇲ License this Image
This photograph is also available as a ⇲ restored & remastered black and white original print from our ⇲ Platinum Series.
|AO||118.9 x 84.1||46.8 x 33.1|
|A2||59.4 x 42.0||23.4 x 16.5|
|A3||42.0 x 29.7||16.5 x 11.7|
|A4||29.7 x 21.0||
11.7 x 8.3
The Past as It Was
We honour the past by restoring historical images to the same quality as the day they were created. To serve the artist’s intent, we remaster, reconstruct, sharpen, colour-correct, colorize and enlarge their image with total devotion to historical authenticity. That makes your print a window to the past as it was. See for yourself.
Beyond the Frame
A Certificate of Authenticity marks every print as an original and genuine ColorGraph™.
We abide by the ⇲ Colorizer's Code of Conduct, a framework for new interpretations of original historical works.
We are proud to be an independent UK business sharing the stories hiding in images from the past.